96 bars of 4/4 at 120 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 5 and 9, and 6 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 29 times: bars 6, 8, 10, 12, 16, 17 and 23 more.
7 more fills are written out on the fills page.
98 bars across 11 sections: 51 keep time, 29 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 73-79.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
96 bars, about 3:20 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 6, 8, 10, 12, 16, 17 and 23 more.