110 bars of 4/4 at a walking 77 BPM, 5:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 19 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 24 times: bars 9, 13, 21, 23, 25, 29 and 18 more.
12 more fills are written out on the fills page.
110 bars across 12 sections: 59 keep time, 24 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 14-20.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
110 bars, about 5:43 at the written tempo. The course breaks it into 38 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 24 times: bars 9, 13, 21, 23, 25, 29 and 18 more.