228 bars of 4/4 at 130 BPM, about 7:01 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-20, hi-hat through bars 21-36, snare through bars 37-64, toms through bars 65-73 and snare through bars 74-82, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 40 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
99
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x---x---x---|12 fills to learn, played 36 times: bars 8, 12, 16, 24, 28, 32 and 30 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 10 out of 100; the rest of the number is everything around it.
228 bars, about 7:01 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 8, 12, 16, 24, 28, 32 and 30 more.