228 bars of 4/4 at 130 BPM, about 7:01 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 40 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 36 times: bars 8, 12, 16, 24, 28, 32 and 30 more.
8 more fills are written out on the fills page.
228 bars across 15 sections: 75 keep time, 36 are fills, 46 are stops and 61 are silent. The longest unbroken stretch of time is bars 74-81.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 10 out of 100; the rest of the number is everything around it.
228 bars, about 7:01 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 36 times: bars 8, 12, 16, 24, 28, 32 and 30 more.