119 bars of 4/4 at 133 BPM, about 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 13 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 14 times: bars 16, 20, 24, 28, 52, 56 and 8 more.
5 more fills are written out on the fills page.
119 bars across 16 sections: 71 keep time, 14 are fills, 4 are stops and 16 are silent. The longest unbroken stretch of time is bars 64-71.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
119 bars, about 3:35 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 16, 20, 24, 28, 52, 56 and 8 more.