115 bars of 4/4 at 117 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 35-46 and 51-58 -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 26 times: bars 47, 48, 49, 50, 59, 60 and 20 more.
1 more fill is written out on the fills page.
115 bars across 15 sections: 68 keep time, 26 are fills and 16 are silent. The longest unbroken stretch of time is bars 94-111.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
115 bars, about 3:56 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 26 times: bars 47, 48, 49, 50, 59, 60 and 20 more.