120 bars of 4/4 at 122 BPM, about 3:56 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 29, 31-42 and 45, and 4 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 10 times: bars 18, 28, 30, 44, 46, 54 and 4 more.
3 more fills are written out on the fills page.
120 bars across 11 sections: 93 keep time, 10 are fills and 5 are silent. The longest unbroken stretch of time is bars 94-107.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
120 bars, about 3:56 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 18, 28, 30, 44, 46, 54 and 4 more.