87 bars of 4/4 at a walking 80 BPM, 4:21 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 13-15 and 21, and 3 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 8, 20, 22, 38, 54, 55 and 3 more.
2 more fills are written out on the fills page.
87 bars across 13 sections: 60 keep time, 9 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 40-53.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
87 bars, about 4:21 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 8, 20, 22, 38, 54, 55 and 3 more.