111 bars of 4/4 at a walking 80 BPM, 5:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 84-90, 92-94 and 96-98 -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 25 times: bars 39, 40, 52, 53, 71, 74 and 19 more.
3 more fills are written out on the fills page.
111 bars across 7 sections: 39 keep time, 25 are fills, 6 are stops and 37 are silent. The longest unbroken stretch of time is bars 42-51.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
111 bars, about 5:32 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 25 times: bars 39, 40, 52, 53, 71, 74 and 19 more.