145 bars of 4/4 at 148 BPM, about 3:55 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 77, 81 and 83, and 16 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 13 times: bars 30, 42, 43, 44, 62, 63 and 7 more.
145 bars across 12 sections: 94 keep time, 13 are fills, 9 are stops and 16 are silent. The longest unbroken stretch of time is bars 46-60.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
145 bars, about 3:55 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 13 times: bars 30, 42, 43, 44, 62, 63 and 7 more.