185 bars of 4/4 at 130 BPM, about 5:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 73-79, 81-87 and 105-111, and 1 more place -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 7, 8, 16, 24, 32, 40 and 13 more.
7 more fills are written out on the fills page.
185 bars across 14 sections: 126 keep time, 19 are fills, 11 are stops and 15 are silent. The longest unbroken stretch of time is bars 72-87.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
185 bars, about 5:42 at the written tempo. The course breaks it into 55 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 7, 8, 16, 24, 32, 40 and 13 more.