342 bars of 4/4 at 142 BPM, about 11:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 266-267, 269-273 and 275-279, and 5 more places -- 6.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33 fills to learn, played 75 times: bars 16, 18, 20, 26, 28, 32 and 69 more.
29 more fills are written out on the fills page.
342 bars across 32 sections: 169 keep time, 76 are fills, 16 are stops and 46 are silent. The longest unbroken stretch of time is bars 264-279.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
342 bars, about 11:03 at the written tempo. The course breaks it into 121 exercises over 44 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
33 fills to learn, played 75 times: bars 16, 18, 20, 26, 28, 32 and 69 more.