149 bars of 4/4 at 125 BPM, about 4:46 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-34, 37-38 and 65-66, and 12 more places -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 21 times: bars 15, 16, 24, 32, 48, 56 and 15 more.
2 more fills are written out on the fills page.
149 bars across 11 sections: 104 keep time, 21 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 81-95.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
149 bars, about 4:46 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 15, 16, 24, 32, 48, 56 and 15 more.