116 bars of 4/4 at 135 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8, 17 and 36, and 11 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 7, 19, 35, 43, 63, 71 and 6 more.
3 more fills are written out on the fills page.
116 bars across 12 sections: 69 keep time, 12 are fills, 20 are stops and 7 are silent. The longest unbroken stretch of time is bars 21-30.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
116 bars, about 3:25 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 7, 19, 35, 43, 63, 71 and 6 more.