142 bars of 4/4 at 112 BPM, about 5:04 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-4, 21-30 and 47-57, and 2 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 20 times: bars 12, 19, 20, 32, 34, 38 and 14 more.
5 more fills are written out on the fills page.
142 bars across 22 sections: 87 keep time, 20 are fills, 4 are stops and 14 are silent. The longest unbroken stretch of time is bars 48-57.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
142 bars, about 5:04 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 12, 19, 20, 32, 34, 38 and 14 more.