169 bars of 4/4 at 140 BPM, about 4:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 69-74, 76-78 and 81-82, and 10 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 43 times: bars 1, 2, 10, 14, 18, 22 and 37 more.
13 more fills are written out on the fills page.
169 bars across 12 sections: 87 keep time, 43 are fills, 24 are stops and 2 are silent. The longest unbroken stretch of time is bars 54-61.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
169 bars, about 4:50 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 43 times: bars 1, 2, 10, 14, 18, 22 and 37 more.