115 bars of 4/4 at 140 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 44-46, and 3 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 13, 17, 25, 33, 47, 51 and 15 more.
8 more fills are written out on the fills page.
115 bars across 9 sections: 51 keep time, 21 are fills, 22 are stops and 9 are silent. The longest unbroken stretch of time is bars 26-32.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
115 bars, about 3:17 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 13, 17, 25, 33, 47, 51 and 15 more.