72 bars of 4/4 at a walking 78 BPM, 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-11, 13-15 and 25-27, and 1 more place -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 12, 32, 36, 56, 60, 64 and 1 more.
72 bars across 7 sections: 51 keep time, 11 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 42-55.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
72 bars, about 3:42 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 12, 32, 36, 56, 60, 64 and 1 more.