118 bars of 4/4 at 135 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 61-63, and 7 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 28, 34, 42, 46, 54, 60 and 3 more.
1 more fill is written out on the fills page.
118 bars across 10 sections: 92 keep time, 9 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-27.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
118 bars, about 3:30 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 28, 34, 42, 46, 54, 60 and 3 more.