189 bars at 184 BPM -- fast, and 3:46 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-3, snare through bars 4-5, hi-hat through bars 6-8, snare through bars 9-26 and kick and crashes through bars 27-28, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 173-187 -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
173
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
BD |x-x-x-x-x-x-x-x-|8 fills to learn, played 12 times: bars 24, 32, 40, 48, 70, 84 and 6 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
184 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
189 bars, about 3:46 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 24, 32, 40, 48, 70, 84 and 6 more.