258 bars of 4/4 at 120 BPM, about 8:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 55-57, 59-61 and 63-65, and 4 more places -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 35 times: bars 5, 6, 7, 8, 14, 15 and 29 more.
15 more fills are written out on the fills page.
258 bars across 25 sections: 149 keep time, 35 are fills, 18 are stops and 23 are silent. The longest unbroken stretch of time is bars 150-161.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
258 bars, about 8:30 at the written tempo. The course breaks it into 87 exercises over 28 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 35 times: bars 5, 6, 7, 8, 14, 15 and 29 more.