104 bars of 4/4 at 132 BPM, about 3:09 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 41-47, 73-79 and 81-86, and 2 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 8, 24, 31, 32, 36, 38 and 5 more.
5 more fills are written out on the fills page.
104 bars across 11 sections: 69 keep time, 11 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 74-95.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
104 bars, about 3:09 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 8, 24, 31, 32, 36, 38 and 5 more.