104 bars of 4/4 at 112 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 8 and 11, and 11 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 80, 91, 92, 94, 95 and 104.
104 bars across 13 sections: 80 keep time, 6 are fills and 3 are silent. The longest unbroken stretch of time is bars 46-64.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
104 bars, about 3:42 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 80, 91, 92, 94, 95 and 104.