185 bars of 4/4 at 140 BPM, about 5:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-27, 29-33 and 43-45, and 11 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 18 times: bars 19, 20, 41, 42, 64, 71 and 12 more.
9 more fills are written out on the fills page.
185 bars across 16 sections: 133 keep time, 18 are fills, 15 are stops and 3 are silent. The longest unbroken stretch of time is bars 146-160.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
185 bars, about 5:17 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 18 times: bars 19, 20, 41, 42, 64, 71 and 12 more.