134 bars of 4/4 at 130 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 75-94, 97-102 and 105-106 -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 19, 20, 52, 53, 54, 96 and 3 more.
2 more fills are written out on the fills page.
134 bars across 12 sections: 105 keep time, 9 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 76-94.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
134 bars, about 4:06 at the written tempo. The course breaks it into 39 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 19, 20, 52, 53, 54, 96 and 3 more.