92 bars of 4/4 at a walking 95 BPM, 3:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-16 and 26-39 -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 13 times: bars 25, 47, 48, 52, 56, 75 and 7 more.
4 more fills are written out on the fills page.
92 bars across 8 sections: 58 keep time, 13 are fills, 3 are stops and 11 are silent. The longest unbroken stretch of time is bars 1-16.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
92 bars, about 3:49 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 25, 47, 48, 52, 56, 75 and 7 more.