117 bars of 4/4 at 114 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 39-41, and 5 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 29 times: bars 8, 32, 33, 34, 36, 37 and 23 more.
6 more fills are written out on the fills page.
117 bars across 15 sections: 50 keep time, 29 are fills, 4 are stops and 25 are silent. The longest unbroken stretch of time is bars 23-28.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
117 bars, about 4:06 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 8, 32, 33, 34, 36, 37 and 23 more.