100 bars of 4/4 at 115 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5, 50 and 52-53, and 5 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 17 times: bars 1, 25, 33, 40, 41, 51 and 11 more.
5 more fills are written out on the fills page.
100 bars across 11 sections: 68 keep time, 17 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 7-24.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
100 bars, about 3:28 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 1, 25, 33, 40, 41, 51 and 11 more.