36 bars of 7/4 -- not four -- at 120 BPM, 2:05 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-5, 17 and 31-33 -- 22.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 6, 15, 16, 18, 19 and 20.
63 bars across 7 sections: 24 keep time, 6 are fills and 27 are silent. The longest unbroken stretch of time is bars 9-14.
120 BPM, in 7/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 64 out of 100; the rest of the number is everything around it.
36 bars, about 2:05 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 6, 15, 16, 18, 19 and 20.