256 bars of 4/4 at a walking 80 BPM, 12:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-13, 16-24 and 34-41, and 6 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 18 times: bars 25, 45, 52, 60, 77, 97 and 12 more.
4 more fills are written out on the fills page.
256 bars across 24 sections: 163 keep time, 18 are fills, 48 are stops and 5 are silent. The longest unbroken stretch of time is bars 6-24.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
256 bars, about 12:48 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 25, 45, 52, 60, 77, 97 and 12 more.