225 bars of 4/4 at 114 BPM, about 7:54 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 81-84, 89-92 and 105-107, and 4 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 12, 44, 48, 52, 60, 76 and 10 more.
6 more fills are written out on the fills page.
225 bars across 20 sections: 127 keep time, 16 are fills, 22 are stops and 42 are silent. The longest unbroken stretch of time is bars 141-156.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
225 bars, about 7:54 at the written tempo. The course breaks it into 53 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 12, 44, 48, 52, 60, 76 and 10 more.