296 bars of 4/4 at a walking 84 BPM, 14:04 of playing, on crash, hi-hat, snare, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-32, silence through bars 33-35, snare through bars 36-39, hi-hat through bars 40-51, snare through bars 52-55 and hi-hat through bars 56-87, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 48-51, 72-74 and 92-94, and 12 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|5 fills to learn, played 14 times: bars 25, 27, 63, 71, 91, 95 and 8 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
296 bars, about 14:04 at the written tempo. The course breaks it into 53 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 14 times: bars 25, 27, 63, 71, 91, 95 and 8 more.