296 bars of 4/4 at a walking 84 BPM, 14:04 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-51, 72-74 and 92-94, and 12 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 25, 27, 63, 71, 91, 95 and 8 more.
1 more fill is written out on the fills page.
296 bars across 22 sections: 229 keep time, 14 are fills, 27 are stops and 3 are silent. The longest unbroken stretch of time is bars 208-229.
84 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
296 bars, about 14:04 at the written tempo. The course breaks it into 53 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 14 times: bars 25, 27, 63, 71, 91, 95 and 8 more.