142 bars of 3/4 -- not four -- at 131 BPM, 3:40 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 22-24, 26-29 and 56-58, and 2 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 13, 17, 25, 31, 39, 59 and 12 more.
7 more fills are written out on the fills page.
142 bars across 12 sections: 71 keep time, 20 are fills, 38 are stops and 2 are silent. The longest unbroken stretch of time is bars 60-66.
131 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
142 bars, about 3:40 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 13, 17, 25, 31, 39, 59 and 12 more.