94 bars of 4/4 at 112 BPM, about 3:21 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-8, 21-25 and 38-41, and 1 more place -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 18 times: bars 26, 27, 33, 45, 46, 47 and 12 more.
1 more fill is written out on the fills page.
94 bars across 16 sections: 52 keep time, 18 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 67-77.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
94 bars, about 3:21 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 26, 27, 33, 45, 46, 47 and 12 more.