64 bars of 4/4 at 130 BPM, about 2:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 14-15, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 1, 4, 9, 10, 11, 12 and 20 more.
8 more fills are written out on the fills page.
64 bars across 5 sections: 33 keep time, 26 are fills and 2 are silent. The longest unbroken stretch of time is bars 14-27.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
64 bars, about 2:02 at the written tempo. The course breaks it into 26 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 1, 4, 9, 10, 11, 12 and 20 more.