157 bars of 4/4 at 148 BPM, about 4:13 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 38-44, 46-51 and 67-73, and 5 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 32 times: bars 1, 2, 3, 4, 5, 6 and 26 more.
5 more fills are written out on the fills page.
157 bars across 12 sections: 94 keep time, 32 are fills, 4 are stops and 17 are silent. The longest unbroken stretch of time is bars 101-115.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
157 bars, about 4:13 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 32 times: bars 1, 2, 3, 4, 5, 6 and 26 more.