48 bars of 5/4 -- not four -- at 130 BPM, 1:59 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 23-26 and 35-36 -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 9, 10, 11, 12, 17, 24 and 3 more.
48 bars across 8 sections: 18 keep time, 9 are fills, 4 are stops and 13 are silent. The longest unbroken stretch of time is bars 31-35.
130 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 84 out of 100; the rest of the number is everything around it.
48 bars, about 1:59 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 9, 10, 11, 12, 17, 24 and 3 more.