82 bars of 3/4 -- not four -- at 110 BPM, 2:34 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 10 and 13-14, and 2 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 22, 23, 38, 45 and 82.
82 bars across 8 sections: 22 keep time, 5 are fills, 18 are stops and 36 are silent. The longest unbroken stretch of time is bars 12-21.
110 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 36 out of 100; the rest of the number is everything around it.
82 bars, about 2:34 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 22, 23, 38, 45 and 82.