383 bars of 4/4 at 114 BPM, about 13:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 79-85, 87-93 and 95-97, and 18 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 56 times: bars 36, 37, 38, 39, 40, 53 and 50 more.
14 more fills are written out on the fills page.
383 bars across 36 sections: 260 keep time, 56 are fills, 2 are stops and 31 are silent. The longest unbroken stretch of time is bars 345-364.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
383 bars, about 13:23 at the written tempo. The course breaks it into 114 exercises over 32 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 56 times: bars 36, 37, 38, 39, 40, 53 and 50 more.