133 bars of 4/4 at a walking 92 BPM, 5:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8, 39 and 54-60, and 6 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 11 times: bars 5, 25, 36, 37, 41, 52 and 5 more.
2 more fills are written out on the fills page.
133 bars across 9 sections: 104 keep time, 13 are fills and 3 are silent. The longest unbroken stretch of time is bars 54-76.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
133 bars, about 5:47 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 5, 25, 36, 37, 41, 52 and 5 more.