173 bars of 4/4 at 140 BPM, about 4:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-48, 125-131 and 133-148 -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 18 times: bars 8, 12, 16, 18, 30, 39 and 12 more.
5 more fills are written out on the fills page.
173 bars across 25 sections: 106 keep time, 18 are fills, 13 are stops and 17 are silent. The longest unbroken stretch of time is bars 133-148.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
173 bars, about 4:57 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 8, 12, 16, 18, 30, 39 and 12 more.