121 bars of 4/4 at 110 BPM, about 4:11 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-21, 27-28 and 30, and 11 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 25 times: bars 9, 16, 17, 26, 50, 54 and 19 more.
9 more fills are written out on the fills page.
121 bars across 13 sections: 64 keep time, 25 are fills, 16 are stops and 1 is silent. The longest unbroken stretch of time is bars 86-95.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
121 bars, about 4:11 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 9, 16, 17, 26, 50, 54 and 19 more.