234 bars of 4/4 at 110 BPM, about 8:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 58, 60-62 and 64-66, and 14 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 16, 51, 55, 57, 59, 63 and 12 more.
4 more fills are written out on the fills page.
234 bars across 11 sections: 175 keep time, 19 are fills, 8 are stops and 27 are silent. The longest unbroken stretch of time is bars 176-232.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
234 bars, about 8:31 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 16, 51, 55, 57, 59, 63 and 12 more.