95 bars of 4/4 at 132 BPM, about 2:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 46, 48 and 87-90 -- 6.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 48 times: bars 6, 7, 8, 9, 10, 11 and 42 more.
13 more fills are written out on the fills page.
95 bars across 11 sections: 32 keep time, 48 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-5.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
95 bars, about 2:58 at the written tempo. The course breaks it into 47 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 48 times: bars 6, 7, 8, 9, 10, 11 and 42 more.