146 bars of 4/4 at 135 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 66-72 and 74-79, and 2 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 44 times: bars 10, 11, 12, 13, 14, 15 and 38 more.
13 more fills are written out on the fills page.
146 bars across 16 sections: 79 keep time, 44 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 33-39.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
90 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 80 out of 100; the rest of the number is everything around it.
146 bars, about 4:20 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 44 times: bars 10, 11, 12, 13, 14, 15 and 38 more.