144 bars of 4/4 at 120 BPM, about 4:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-31, and 3 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 28 times: bars 15, 47, 95, 96, 98, 100 and 22 more.
6 more fills are written out on the fills page.
144 bars across 13 sections: 88 keep time, 28 are fills, 2 are stops and 12 are silent. The longest unbroken stretch of time is bars 22-34.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
144 bars, about 4:48 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 28 times: bars 15, 47, 95, 96, 98, 100 and 22 more.