162 bars of 4/4 at 144 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-35, 37-39 and 41-42, and 10 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 22 times: bars 4, 5, 7, 32, 44, 52 and 16 more.
12 more fills are written out on the fills page.
162 bars across 12 sections: 109 keep time, 22 are fills and 16 are stops. The longest unbroken stretch of time is bars 9-27.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
162 bars, about 4:30 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 22 times: bars 4, 5, 7, 32, 44, 52 and 16 more.