147 bars of 4/4 at 148 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 21-25 and 60-66, and 1 more place -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 12, 26, 39, 45, 73, 78 and 16 more.
3 more fills are written out on the fills page.
147 bars across 14 sections: 93 keep time, 22 are fills, 9 are stops and 9 are silent. The longest unbroken stretch of time is bars 14-25.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
147 bars, about 3:58 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 12, 26, 39, 45, 73, 78 and 16 more.