126 bars of 4/4 at 132 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 29-34, 53-58 and 61-63, and 2 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 22 times: bars 4, 8, 12, 20, 24, 28 and 16 more.
13 more fills are written out on the fills page.
126 bars across 18 sections: 76 keep time, 22 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 29-35.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
126 bars, about 3:49 at the written tempo. The course breaks it into 57 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 22 times: bars 4, 8, 12, 20, 24, 28 and 16 more.